[ManInKhakiExorcist]

Justy, please do this for me and all else interested, making it available for download. 🙂

Big fan of the musicians involved. All o’ ’em (in this order: Angelo Badlamenti, Dog Fashion Disco, Trevor Rabin).

The film’s score is very subtle, but quite fitting and organic. Maybe it’s not the greatest by the parties involved, but it’s a good match to the material, even if it was “cobbled together” at the last minute.

Frankly, it’s crucial to the film. I’d originally preferred an anti-score (ie. the Friedkin film, where it’s just vignettes of disonance and the avant garde), but recognizing this prequel film wasn’t fashioned to be the Friedkin film but a very different film whose story-narrative and characters exist in an older time and far off land, I can’t think of a more perfect end result. It’s simple and elegant, if you ask me (or even if you don’t). 🙂

M.I.K.E.