By the way, those new light effects at the end really worked well, Hatter. It occurred to me now that I looked at this how effective that light worked. I know that Vittorio Storaro and Paul Schrader talked about the cleanliness and purity of white coming in, but the idea of sunlight itself does still preserve that original idea. It does eliminate one editing question I did realize when seeing this cut instead– why would the demon dissolve away and then reappear off screen as Cheche? I understand the idea of dissolves and disappearing (nothing wrong with that in editing), but this seemed more effective in that it preserved the idea and made the believability stronger by using a realistic idea of sunlight blinding us. Cool stuff, Hatter! I approve. 🙂 😀